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The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。中央电视台与新西兰自然历史公司（NHNZ）、美国公共广播电视台（PBS）、德国电视二台（ZDF）等机构联合摄制的5集大型自然类高清纪录片《大太平洋》，将于2017年12月31日至2018年1月4日，每天21:00在纪录频道播出。 太平洋覆盖了整个地球面积的三分之一。它的面积超过地球所有陆地面积之和，代表性的庞然大物在这里安家落户，珍奇物种在这里繁衍生息，还有无数尚待人类发掘的神秘生物潜伏在此。 纪录片《大太平洋》运用4K高分辨率摄像机进行拍摄，打破陆地与海洋的界限，以前所未见的方式呈现太平洋的故事。本片拍摄的物种和故事多达近30个，分布在全球14个国家和地区。颠覆传统以地区、习性、物种串联故事的方式，一集一个情感主线，一个动物主角，通过它的迁徙，将不同动物的故事串联在一起，并且每集聚焦于太平洋的某个标志性特色：激情、贪婪、狂暴和神秘，将太平洋上的各...。